Teenage rebellion, redemption and cross-country journeys hit the screens
The arts section is joining up with Ja. Magazine, an online platform that collects, curates and celebrates the work of local creatives, with a handmade twist. Together with Ja. Magazine, The Journalist Arts page will bring you interviews, reviews and profiles from arts and music festivals around the country. We bring you interviews with upcoming legends and community artists while providing history and context. We do this by celebrating the unique power of the talented men and women who have strengthened the creative fabric of our society through the ages.
Teenage rebellion, redemption and cross-country journeys hit the screens
I can’t help but wonder if we saw this coming
Zakifo Music Festival 2017
District Six residents remember
Ernestine White speaks on race, privilege and opportunity
Musical trailblazers at the Cape Town International Jazz Festival
Western clientele hungry for more
From humble beginnings in a pub to a formidable arts and culture movement
Remembering Jazz legend, Thandi Klaasen
Photostory: breaking down patriarchial stereotypes of the perfect bride
SA actress and radio personality becomes youngest ever member of SAMRO board
Open Forum creates a ‘safe space’ for reflection and dialogue
A new exhibition pays homage to warrior women of our past
Siya Makuzeni and the boundlessness of Music
Conversations with women making a difference
“Don’t mourn for me. Organise”
A Tessa Muller Production
A 21st Century journalist finds her 19th Century ancestor
Network creates own art opportunities
Ja Mag How do you go about piecing together the history of a South Africa musical icon whose story wasn’t only left out of the local jazz narrative, but was almost entirely undiscovered? The answer it seems, is through four years of on-and-off interviews, a whole lot of financial loaning, and the quiet, burning passion that only a lover of jazz can possess. Directed by Nhlanhla Masondo, Shwabada: a film on the music of Ndikho Xaba is perhaps one of the most important music documentaries to...
SA a place “where the final chapter has not yet been written”
“They’re not all that stupid, can see through fabrication”
Dave Mann, Ja Mag Banele Njadayi’s career began on an interesting note. His first encounters with art came through days spent on the streets of Eastern Cape’s Grahamstown, with salvaged materials and makeshift canvases as his tools. Dave Mann speaks to the growing artist about capturing the day to day lives of Eastern Cape residents. As a youngster, Banele Njadayi would opt out of afternoons spent playing soccer with friends to go in search of charred wood and wanting walls to practise his...
Protest at RMF exhibition an ‘act of black love’
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